capriuni: half furry, half sea monster in wheelchair caption: Monster on Wheels (Monster)
It's been in the back of my head to signal boost and promote this idea for the last couple of weeks, but, well... I kept putting it off, in part because I wasn't sure what I wanted to say about it, if anything. And now the date is tomorrow, and there's no more room for putting it off.

Dave Hingsburger (and many of his blog readers, Yours Truly included) want to have an "International Day of Mourning and Memory" for those people who have been sent away to live Institutional Lives because their minds and/or their bodies are different. And when they die in these places, they have no family to mourn or remember them* ...

Dave Hingsburger explains his reason for the date in this post: http://davehingsburger.blogspot.com/2012/01/january-23-international-day-of.html and his reasoning is pretty compelling, imnsho.

He has also posted links to a video & song that tells the true story of one such person who was sent away to live in one of the more "progressive" institutions, back in the 1930s. Here: She Never Knew (She Never Knew) [trigger warning for hate speech graffiti]. This song was running through my head yesterday, as I was writing up my post on "The Steadfast Tin Soldier", and I have THOUGHTS about it. But I think there are enough of those to make their own post. So maybe I'll post about it on Tuesday (Tomorrow, I'll post about remembering those who've been locked away, as my means of observing the day).


*In doing Google searchers for images for my Monsters In Town! song, I learned that institutional "homes" in Minnesota wouldn't even put family names on the grave markers on their grounds, because being connected by name to someone so defective would be too shameful for the survivors... So the grave markers would only have the patient's case file number.
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Lyrics from sheet music in the Library of Congress )

There are lots of videos of this song on YouTube, but this is the one with most clearly enunciated lyrics that actually match the lyrics on record in the Library of Congress; the point of greatest variation among the versions seems to be the excuse Gilhooly gives when he's pressed to take seconds. I think asking for the recipe (receipt) is the most credible as, a) it passes for enthusiasm, and b) it gives you the info you need when you call the poison control center, later. >;-)


(Video is just a repeating slide show of generic Christmassy images)

Since Christmas traditions had nearly fallen out of favor and/or living memory by the time Dickens wrote A Christmas Carol in 1843, and this song was published a mere 40 years later, I can't help but wonder if this is one of the oldest in the tradition of Christmas Novelty songs, that mock the sentimentality and sacredness of the season...
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
lyrics (and brief video description )



On YouTube, this video has a link to "Oh No they Didn't!" -- LiveJournal's premier "let's make fun of people" community, which makes me sad. But I do like the video, anyway...
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Found a new variety of apple (new to me, at least) in the store, today: Ginger Gold. The ones in the store were bright, shiny green. So I bought a couple, and just ate one raw. Made my tongue curl with its tartness, but there was an intense apple flavor that exploded in my brain. And if I'd known better, or had read that WikiPedia article first, I would have known they were still unripe -- well, that explains the tartness, but not why such an early-ripening apple would be in the store unripe at the end of October, ffs. Especially since it's a super-local, Virginia apple.

Postscript: in case you're wondering about the tune that goes with "Sings:" you can hear it here: Shady Grove (Sung and played by Lew Dite on the tenor banjo)
capriuni: Text: "I know where my towel is, But I can't find anything else." (music)
The last time I wrote a song (I think, if I recall correctly) was just about three years ago (I posted the first draft of it here: A new song, what I done finished, today:.

The chorus contains these lines:

"Well, I won't be your metaphor
For Grace, or lack of Grace,
'Cause I am simply human,
In this complex human race." [*]

....

But over the last few days (Weeks?) I've had this growing urge to write a new song... using the Metaphor of Monsters to describe the Disability Experience -- maybe somehow adapting the metaphors and imagery of this Monster Ramble into something with form, and a beat.

Er... Oops?

[*] That was in response, mainly, to Si Kahn's "It's not just what your born with," where he compares the Angelic-Disabled-People-Who-Have-So-Much-to-Teach-Us to Those-Evil-Able-Bodied-People-Who-Are-Wealthy-and-Corrupt; it's an okay song, until you get to the last verse. Then it makes me want to throw things.
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
I recently read, on [personal profile] lizbee's journal, there's a meme going around Tumblr that the last music you listened to will be played at your funeral. It probably only counts if it's the last music you listened to before learning that trick, 'cause otherwise, it would be too easy to be artificially dignified. But if anyone is taking notes, and my demise comes unexpectedly, I think this would be pleasingly confounding for the surviving cousins:



lyrics (With chords): )

--

Early this morning (in the official, awake-too-long, wee hours) YouTube recommended a video clip from Primeval -- the one with the tiny pterosaurs that killed people. I knew that probably was all wrong, so I went hunting around online for slightly more accurate information. And I found out that Mark Witton has a pterosaur book coming out this fall. :::Squee!::: I first found Mark Witton's Flick'r gallery several years ago, back when he was still working on his doctorate. He's the main reason I resent the PBS kids' show dinosaur train, because the Pteranodon Family at the center of it is all wrong, according to current theories (like 40 years out of date, or so).*

--

However, I do enjoy most PBS kids' shows, so I've been checking out their online site to learn more about the programs, and I found one site that's web only, dedicated to teaching 6-9 year olds basic music theory and how to write in five popular genres. I have been thinking it's a while since I tried writing a song, so I might hang out there for a bit: Chuck Vanderchuck's *something something* Explosion. *grin*
--

*The show's gender-roles ideas are more like 60 years out of date. And that's a whole 'nother gripe. But, in a kids' show about dinosaurs and pterosaurs, where the creatures themselves are wrong and bland? Utterly unforgivable. Especially from the Jim Henson workshops.
capriuni: Text: "I know where my towel is, But I can't find anything else." (bunny)
So, I'm working up my take on the Grimms' fairy tale Hans my Hedgehog (that version is translated by D. L. Ashliman). I promise I'm being good, and staying true to the original -- even including the "Happy" reconciliation with the emotionally abusive father.*

But the more I've got this going around in my head, the more I want to write my own, fleshed-out, novella-style, version like the stories in the Snow White, Blood Red anthology series. And in my version, Hans would keep his hedgehog skin, instead of shedding and burning it, since the original story is basically about how you can't join society until you are cured. And cures just aren't coming for most people. And also: continuing to claim your humanity and your rights and personal power while being a monster just has many more layers of interest, in terms of storytelling potential, then playing the role of king while being handsome and strong and pretty to look at (imnsho). And in my version, a major subplot would be his relationship with his riding rooster, and how the bird came into his life, and whether it was a normal sized rooster, and Hans was normal hedgehog-sized, or whether Hans grew to human-sized, and the rooster was giant.

Also, in order to get into the proper frame of mind, since Hans' bagpipe-playing is a major plot point, today, I've been wallowing in YouTube videos of German bagpipes. I can't decide whether Hans is playing the full-sized "Shepherd's Pipe" (since he's taken on the job of being a shepherd), or the smaller "Chamber Pipe" (since that's smaller, and closer to hedgehog/boy size. In any case, he'd need human fingers and elbows to play it, so he can't be 100% hedgehog from the waist up...

So, anyway. That's been my day, so far.
*there is not enough "Blech!" in the world to express my true feelings on this.
capriuni: Text: "I know where my towel is, But I can't find anything else." (music)
Not for the cinematography (camera work is a bit shaky and out of focus in places), but for the subject matter: live folk music concert at an outdoor venue. There are a few folks up, swinging their knees, at the start... then the video-maker does a slow panoramic shot of the whole park. And when the stage comes into view, again, the dancing crowd has tripled, at least -- each person dancing just for the fun of it, not caring to impress anyone else. How can that sort of joy be anything but infectious?

"La Vent du Nord" gets things moving in London, Ontario

(The Music's pretty good, too)
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Well I did threaten -- ahem -- promise to post a collage of Danny Kaye pics, didn't I? Here it is:

danny kaye arm dancing
(Click to view larger)

After this immersion in his work, the thing that impresses me most is how fluidly energy flows through his body -- especially his hands and fingers.

Knowing how well his mind absorbed the rhythms and nuances of so many different languages, I can't help but fantasize about what he could have done if he'd ever been exposed to American Sign Language: Was his genius specifically aural, or was it generally linguistic? If it were the latter, I'd love to be able to go back in time to an alternate universe and see what he could have done with a "ABC Story" (a story where each sign and/or qualifer must be the letters of the ASL fingerspelling alphabet, in order from A to Z; I've often wondered, btw, if BSL and Auslan have similar genres -- anybody know?)*

Links to my sources, with total running time of each clip (so you can get a sense of bandwith before you decide whether or not to click):

Top center: Finale: "Happy Ending" On the Riviera (1951; copyright 20th Century Fox) 9:46 (Song starts at ~6:38)

-- the Ultimate YAY! shot, non?

Perimeter, counterclockwise (starting from top left):

'The Thinker' The Danny Kaye Show (1963-1967; copyright CBS) 6:08

Louis Armstrong and Kaye: "When the Saints go marching in" The Danny Kaye Show (1963-1967; copyright CBS) 4:06

"Triplets" The Danny Kaye Show (1963-1967; copyright CBS) 2:16

"The Maladjusted Jester" (Paramount Studios; 1955) 6:23

"Ballin' the Jack" The Danny Kaye Show (1963-1967) 0:42

-- Origin of the subject line. This was actually written in 1913; I was surprised to learn that "rock" was used as slang for "dance" as early as that.

"Gypsy" The Danny Kaye Show (1963-1967) 2:13



*One of the best examples of an ABC story I could find online: "Checkmate": about two people sitting down and playing chess: "Checkmate" by Rob Nielson, 2008 1:47
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
And all other Pro-Fun Trolls in my Circle, when it comes down to it:

Here are the last minutes (just shy of ten) of On the Riviara, starring Danny Kaye (yes, more of him).

Though the more of him I see, the more I want to go back in time and hang out with Sylvia Fine-- his wife, producer, and personal song writer. She's the one who wrote this epilogue song, and that song is the reason I'm making this post. Yet all the information about her I can find is seen through the filter of her husband. When it could just have easily been the other way around.

Anyway, I stumbled across this song in the wee hours. If ever a song were a pro-fun Anthem, this would be it:

This song starts on the vid at around 6:38, and as good an epilogue for its genre as Shakespeare ever wrote for one of his comedies. Really.
And talk about meta! meta-loving Geeks, rejoice!

Happy Ending -- lyrics and music by Silvia Fine )

Why, oh why is this not a pop-culture standard?
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
So -- last night, just before midnight, I found YouTube's movie channel... And managed to find one old Danny Kaye movie (The Inspector General); it was 101 minutes, plus about 5 minutes of pausing for commercials (still better than watching on TV).

And when it was over, did I toddle off to bed? No, of course not. That would have been sensible. No, I decided that the Danny Kaye movie I really wanted to watch again was The Court Jester (1956). So I went hunting through regular YouTube for fan-uploaded clips.

By the time I was pulling the covers up over my head, the dawn was breaking. By the time I woke up again, mid-morning, I realized something: I miss the classic movies not just because they're still harking back to the theatrical traditions, with the way they're framed, and sung and danced, but because, visually, they're beautiful to look at. The colors on the old film was more muted, natural, and rich. The colors (and focus) of modern movies --even when I like the scripts, and characters, and it's a romcom or a drama (never mind all the ones that try to be in-your-face) I find painful, in comparison.

To show you what I mean, here's a brief clip from The Inspector General -- 1949 (The love song scene). Granted, this is set in a Eastern-European town run by a league of corrupt officials, so it's meant to be drab. Still, it's almost black and white compared to what they put in theaters today:



And here's a longer scene (with set-up leading to the song -- how to get the infant true heir to the throne away from the clutches of the evil usurper king) from The Court Jester -- 1956. This is a much brighter movie (with higher tech film, no doubt), but these scenes still strike me almost like a oil painting, in terms of color and tone -- much deeper and golden-hazy. You know?

Anyway, enjoy!
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Lyrics to a song (an *educational* song) that have been stuck in my head for 5 whole days... almost non-stop! )

Send help.
___
Idea I had for a Disabled Character-Centric TV show that I think would be awesome )

And all the disabled characters on the show would be played by disabled actors, rather tha TABS in cripface -- and yes, even actors with CP, who have funky posture, and trouble speaking, maybe... Hey, a girl can dream.
___
I realized, either last night or this morning, that the definition of the word 'geek' has *not* changed all that much, since the 1510s )

...And 'round and round it goes... This last cut brought to you by a word-geek.
capriuni: Text: "I know where my towel is, But I can't find anything else." (music)
[AN: When I woke up, this morning, I thought this was going to be a long, involved, post with video links and full transcripts of words, audio, and description. But that was six hours ago, and it turns out I don't have the attention span for all that, anymore. So this is just to make note of these two sychronistic phenomena]

"American Country Music" fell out of my good graces after September 11, 2001, when the whole genre turned into "America's gonna whup the World's ASS!!," and the Dixie Chicks were ostracized for daring to criticize Bush's war policy. And I thought I would cringe at Country Music forever.

But then, yesterday, I read this post from Dave Hingsburger: The Day the Dog Didn't Die [emphesis mine]:

(quote) So here's to Darius Rucker, here's to song writers Brett James and Chris Young who worked with people with disabilities in writing the song, here's to CMA [Country Music Accademy] for making space for people with disabilities to shine. (unquote)


And then, a couple hours later, I was surfing through the channels on my set, and caught a glimpse of a country music video that featured two disabled war veterans just going through their daily lives (with actual disabled actors, no less, not able-bodied folks in Cripface), in a way that just happened to include putting on your prosthetic leg and glass eye (one soldier had lost a leg, the other had become visually impaired) when you get dressed in the morning, without pity.

The lyrics of the song, without the visuals, are all about getting over a bad romantic break-up; with the video, it's all about how being Disabled is just "A different kind of normal," instead of OMG!Inspiring!Tragedy! (though you wouldn't know it by reading the comments on YouTube).


*The Shape I'm In* lyrics are behind this cut )

YouTube Video Link "The Shape I'm in" performed by Joe Nichols

You know, a generation ago, the Disability Rights movement got a big momentum push from the veterans returning from Vietnam, translating the skills they learned protesting the war policy into agitating for accessibility. Back when these wars started, especially since the lower mortality rates, this time around, translates to higher "survival with disability" rates, I was wondering if, or when, the Disability Rights movement would get another boost from vets.

Maybe that's starting to happen, now.
capriuni: Text: "I know where my towel is, But I can't find anything else." (music)
What do a foxtrot song, filmed for the pleasure of British movie-goers in 1931 and a bluesy rock song posted to YouTube in 2011 have in common?

They have both been competing to be the dominant earworm in my brain for days, now! And it's just about evenly matched!

(it gets really weird when they start to overlap and cross-talk each other).

HALP!!

1931 lyrics )



2011 lyrics )
capriuni: Text: "I know where my towel is, But I can't find anything else." (music)
I haven't played with music in ages ... *Checks her traced threads on Mudcat*

...Not since Sept. '08?! Yikes...

Anyway... Over the weekend, I discovered that I actually do have Windows Movie Maker on this machine, and even though I don't have any dedicated movie making tools, I figured I could practice with it, and play around making a slide-show vid, with a simple midi soundtrack (I do have a midi-composing program).

So, I was tumbling that thought around in my head, trying to think of what I might make a slide show of... and I remembered that I "rewrote" the alphabet, a few years back. And I thought that that would be kind of fun: to do a Sesame Street style slide show of the alphabet letters, with the midi tune playing in the background.

here's me, wittering on about words and tunes, and stuff )

What's been less fun is that I failed to take a headache seriously this morning, and it's blossomed into a full migraine with nausea. ... So I should go eat something, now...

Toodles!
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Roger Miller and Jim Henson: go together like unicorns and glitter!

capriuni: footnotes are where the cool kids hang out (geek pride)
How did the meaning of the English word "Nut" evolve from: "a hard, indehiscent, one-seeded fruit, as the chestnut or the acorn" to: "a foolish, silly, or eccentric person"?

Did the word somehow get filtered through the word "Squirelly"?

'Cause I can understand how "Boy, he's sure a squirrelly fellow, ain't he?" can mean "he's a foolish, silly person," because squirrels (from our p.o.v) seem to run every which way in a nervous, nonsensical fashion. And squirrels are associated with nuts.

Or is it that "nut" is also a slang term for "head?"

Anyway.

I'm wondering this because the other night, I found I'm a Nut, by Leroy Pullens (1966), on YouTube. And it's been running through my head ever since*:

[Chorus]
I'm a nut, I'm a nut
My life don't ever get in a rut, whoop-whoop-whoop-whoop
The head on my shoulders is sorta loose
And I ain't got the sense God gave a goose
Lord, I ain't crazy, but ...I'm a nut

Is is wetter under water, if you're there when it rains?
Is it shorter to New York, than it is by a plane?
Between myself and I, I wonder who's the dumber
Is it hotter down south, than it is in the summer?


*help me! -- If you dare, here's a vid:

http://www.youtube.com/watch?v=EYu7gnLo688. Most vids of this song are just slide shows of semi-related Google hits. But this one actually shows four women line dancing to this song, so it actually has a modicum of creativity and effort.
capriuni: Text: "I know where my towel is, But I can't find anything else." (Yule Father)
(Yes -- "More." I suppose "Zat You, Santa Claus?" is not properly a carol, in most peoples' eyes, but it is to me [but "Santa Claus is coming to town" is sacreligious ;P])

I'm so happy I found this song on YouTube. I admit, I get teary-eyed whenever I hear it, and lumpy-throated, too. Because it spells out what I think of as the "reason for the season": Forgiving old wrongs and grudges, and creating a little bit of Peace on Earth, and thus, doing your best to start the new year off right.

According to the folks at Mudcat, the lyrics for this tune date back to somewhere around 1620. And the music is from about a century later.

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Ann

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