capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
So, as some of you in my circles may remember: Back in July of 2011, I wanted to write an entry for Plato's Nightmare / Aesop's Dream about an "Aesop's fable" my mother told me repeatedly from the time I was very small. But I couldn't find out any background on the 'Net, because (it turns out) it was a fable she herself made up, by splicing two different Aesop's fables into a single story, and then, she misremembered the origin, being convinced she read it somewhere (The entry is here: The Lame Man, the Blind Man, and the Donkey: a fable on the birth of a fable)

So: as of just a little while ago, I've decided that I will, in fact, write something for B.A.D.D., and that it will be about that Disability version of the Bechdel test I came up with... And I thought I'd start out with what I remember as the earliest "favorite quote" my mother had: one that she would recite to me almost every time she finished reading some particularly interesting something. Now, I could swear she had told me the quote came from Gloria Steinem:

When we read, we don't learn, we recognize.


And that struck me as a nearly perfect place to start my argument for why representing the less privileged people in our stories is so important. But I wanted to make sure I had the wording right... So I tried looking up the quote (or a paraphrase of the quote) on Google... And have come up with zilch... zip. Nothing -- either attributed to Steinem, or anyone else. Putting those keywords into the search box only gets me scholarly, and quasi-scholarly, articles on how to teach children to read (and to links of articles about how baboons can apparently learn to read words...

Does the quote ring any bells, or flick on any lights, for my circle folk? Or is this another case of my mother not recognizing herself as the source?
capriuni: photo of a roe deer yearling, with text: "The real world is magic enough" (unicorn-real)
Namely: when did the idea that unicorns disappeared in the Great Biblical Flood become part of the common culture?

I mean, in the medieval period people believed to things: 1) that they themselves lived after the Great Flood, and 2) that unicorns existed in the real world.

I'm assuming that the idea was around sometime before Shel Silverstein wrote his song (I won't credit him with the power to create the idea out of whole cloth – what I've learned of him since I first became a fan has made me thoroughly dislike him as a person).

First of all, the idea of the Great Flood is such a despicable one, but that particular demise for unicorns is such a killjoy. … It may be perverse, but I prefer to think of them as hunted to extinction by foolish and greedy humans.
capriuni: Text: The Muse is Willing but the Brain is Mush. (Brain-mush)
This video is unlisted, so only those people who find a posted link can see it, because, basically, it's a W.I.P.; when I have a finished version, I'll make that public.

Here's the link: http://youtu.be/DHYYnwKnxVQ -- I figure it's the easiest way for most people to hear what the tune sounds like. I'll print out, scan, and post the score later, for those who can read music, but can't run videos...

Anyway, here's what I wrote in the info section, and the reason I'm posting it at all: my muse and I need help ... so... Help?

(Quote)
Usually, when I get the idea for a song, the subject, idea and lyrics come FIRST. But this time, the tune came first, and I don't even know if it's a happy tune or a sad one. So I'm going to ask you to join me in a game I used to play in grade school:

Give me a topic, and I'll write about it -- in this case, I'll try to write lyrics about that topic that fit this tune. And once I have some lyrics, or at least an idea for a theme, then I can illustrate it for real, instead of sticking you with abstract MicroSoft Paint art

Deal?
(unquote)
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Now that I

a) am learning how to make simple, slide-show-based videos with "Windows Movie Maker" and

b) have a means to record my own voice-overs,

I'm thinking of making a series of slide-show based videos out of this post My own version of the Bipedal Privilege Backpack (each video focusing on two or three privileges at a time, and illustrated with stick-figure cartoons).

And I'd like to open with a discussion of what "Privilege" is, and what it means to have "an invisible backpack" full of it.

So I'm asking my circle:

What counts as "privilege"? Is privilege always founded in culturally determined biases? Is that the difference between "privilege" and "natural ability"?

and also: Whence the metaphor of the "invisible backpack"? Who thought that up, and what was the inspiration?

Ugh.

Aug. 31st, 2011 10:32 pm
capriuni: Text: "I know where my towel is, But I can't find anything else." (ugh)
Two biological facts about me:

1) Ever since I was about 8 or 9, it has been usual for the "parting shot" of a bout with the Common Cold Virus (after the sniffling, sneezing, sore throat, etc. is out of my system) to be a flare up of cold sores on the insides of my lips and cheeks. It's just been the usual way for the virus to work its way through me.

2) My asthma, which I've kept mostly symptom-free for these last six years or so, with a daily dose of Benedryl-clone, is triggered by mold, dust, smoke and ...stress.

---

Last night, I had a flare up of asthma symptoms, even after my usual daily dose. And this morning, even though I had no outward signs of a cold, I woke with a cold sore.

I've also had intense, bordering-on-nightmare dreams, these last two nights, which I can't remember well enough to describe, except that they involved punching and fighting.

... I think, perhaps, this last week of waiting through Irene, knowing that I had no easy way to evacuate (and no way to hide in the closet or bathtub during the storm, as experts all say you should), has taken a temporary toll on my immune system.

This whole week, I've felt like I'm fighting jet lag.

So: tell me a happy thing? Please?
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
I like the shirt, but I hate the description I wrote for it -- help?

Shameless Alligator -- proofread )

This is a little less clunky, but still:

Shameless Alligator In-Joke. )

And here's a design I am entirely unsure of altogether. Here's the Mug version; there's a shirt version, too, with the full page visible (which has doodled bunnies on't).

Plot Bunny P.S.A. )

And yes, that's my handwriting, and I made up the random start of a story just so that I could have word-stuff as a background design.
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Object of discussion: Shirt (or mug, or mousepad, or whatever) with a picture of an alligator, and the words "Shameless Alligator," in fat hand-lettering.

Question -- Should I also add the word "Agitator"?

Either as:

A) "Shameless Alligator Agitator," or
B) with "Alligator" struck out, as if fixing a typo, or
C) Not include "Agitator" at all?

I've got everything drawn and inked, except "Agitator." and I need to make a decision before I scan it.

Thanks, in advance, for answering.

[Edited to add: I both Version B ("Shameless Proofread") and Version C ("Shameless In-Joke"); the in-joke one takes up less space (natch), so it's better for small items, like refrigerator magnets and trucker hats. I've got a trucker hat ready for posting for sale, but I'm stumped as to what to do for a description. So I'll post it tomorrow, after sleep.]
capriuni: multicolored question marks in different fonts (question)
When I was a Teen, and in my early 20s (~1980s), and Mother and I would attend politically / protest-oriented events, a common phrase we'd see printed on tee-shirts was "Shameless Agitator."

And I got to wondering: is there a specific historical context for this phrase? Was it a common epithet thrown around in newspapers to refer to Suffragettes, for example? Or labor leaders? Can it be traced back to a particular quote?

Bit of random, personal trivia: Once, one of us (either it was I, or my mother, who then shared with me), misread one of those shirts as "Shameless Alligator," which then became a running joke between us until the end of her life. That memory recently came back to me, and that's what's gotten me curious about this...
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
Folklore: Queen Bertha Broadfoot: M. Goose?

For my blog: Plato's Nightmare / Aesop's Dream (Discovering images of disability in folklore and classics of literature), I'm considering writing an entry on the image of the disabled story-teller as a recurring motif in stories, themselves -- stories about storytelling.

I have seen mention in several places that the "original Mother Goose" was Bertha Broadfoot, or, in Latin: Regina pede aucae (The Queen with the Goose-foot), the Eighth Century Queen of the Franks.

I find this excruciatingly tantalizing, because of my emerging theory about the role of "monsters" as living omens, and how "monsters" were originally those born with deformed or missing limbs (and also as creatures who were "mixes" of different animals in one). The problem is, all the references I can find lead back to the same Wikipedia article, which is both a stub, and lacking in references.

So I was hoping someone here on Mudcat could point me to more fleshed-out legends of the queen, and how she became linked to "Mother Goose."

Whether or not there is any historical basis for the legend, or whether the figure of fairy tale and nursery rhyme could ever be attached to a living woman is unimportant to me. What I'm after is the role she's played in the imaginations of people through the centuries.

Help?
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
In order: Some general thoughts (a.k.a. questions circling around and around in my head), Seeking advice, and then, help:

  1. Regarding The Girl Without Hands: Why did she ask that her arms be bound behind her, before she went into the world? Wasn't that taking an already impairing condition and wilfully impairing herself further (arms can do a lot, even without hands at their ends)?

    Was it to hide the stigma of visible disability, so that people who met her on the road would see her first, instead of her raw stumps (which would scare them off)? Was it to hide the violence her father had done to her (either/or/and hiding it from others / herself)? What does this this say about the Social Model of Disability (and, perhaps, its shortcomings)? What does this say about the intersectionality of disability and domestic violence, particularly done to women?


  2. When I was first thinking of starting this blog (before I came up with a name, even), I mentioned the idea to Audrey who said it sounded fascinating, and would even make a great book... So, I admit, the idea of converting this to a P.O.D. print version (or etext, for electronic reading devices) has been bubbling around in my head.

    My two primary goals for the blog are: to help make my point that the "issue of Disability" has been around throughout many different cultures and perods of history, and: to have enough content to last at least a year. So, as it stands now, the blog is all over the place. And, as a book, it would lack all coherence of either tone or theme. Also: The only source material I'm really comfortable with is the Grimms' tales (as in: give me a title of any story from their final volume [210], and I could probably tell you at least one thing that happened in that story, without doublechecking). So those are really the only ones I feel confident that I could retell and comment on without plagiarizing.

    So, here's my advice question: Would a (very) slim volume of specific Grimms' tales, and commentary on how the themes of disability show up in each (plus, say, an Introduction) be enough for a book? What do you think would be the minimum quorum? Four tales? Five? Six? Three? I can think of four stories that are almost a perfect fit together, for my theme of Monsters and Disability (almost like four quadrants of a box): Thumbling, Hans my Hedgehog, Girl Without Hands, Six who made their way in the world. And then, there are about another three or four in the second tier, where impairment plays a major role, but the stories don't "pair up" with the others quite as well... and yet another three or four where impairment shows up briefly, but is almost as quickly resolved, and/or the impairment occurs outside the point of view narrative, so it's more part of the background landscape than shown as a lived experience (including the long version of Rapunzel, which is hardly ever in the little kids' picture book version because Rapunzel and the Prince did more together than just have some friendly chats and handholding, and it was the consequences of that that ruined their secret).


  3. And now, my request for help: So far, I've focused on stories with physical & visible disabilities as a motif, because that's what I live with, and the tensions that come up are what I recognize when I read. However, two stories from Grimms that I'd like to tackle eventually appear to deal with autism and PTSD. But because neither of those things are part of my own experience, I'm wary of editorializing on them without a little feedback.

    So, I know there are some people on my f'list/access circle who are living with autism and/or PTSD... Would you mind reading either of these stories, and sharing your thoughts?

    The story of the boy who left home to learn fear (Autism / Asperger's?)

    Bearskin (PTSD in a war veteran?)

    Thanks so much!
capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
I decided just to play around with sounds in my mouth, to see what tickled my fancy, and came up with "Quadiquafflump." 'Quadi-" is for 'four' (the number of different creatures from whom it gets its parts), and "quafflump" is for the sound it probably makes, as it moves through its native habitat -- mixed wetland forests.

Here's a link to the card in my store (tell me what you think of the copy I wrote about it? Thanks!):

capriuni: Text: "I know where my towel is, But I can't find anything else." (Default)
I've created a new Chimera of my very own! And I think it's adorable (if I say so myself) and I want to put it on a bunch of Zazzle products. But before I can sell anything with it, Zazzle wants me to name it. And that's where I'm stumped.

The name I've given it in my own files is "tetra-butterfly," But that only really works for me, and I may want to create another four-beast chimera with butterfly wings sometime in the future. So: Help?

tetra-butterfly
Caption/visual description: detailed line drawing in black ink of a monster with the hind body of a frog, the forelegs of a raptor, the head and tail of a rabbit, and the wings and antennae of a butterfly. The monster is "perched," and looking back at the viewer.

And here's the "action shot":
tetra-butterfly flying 3
Caption/visual description: Same creature, also drawn in black pen, in flight, veiwed from above. The forelegs are hidden, and the hind legs are stretched out behind.

Should I combine (or string together) the Latin names from taxonomy classes (Lepidopteran Lepus Rana Aves)? Or do the same with English (Butterfly Bunny Froggy Bird)? Or do something Seussian, and make up a nonsense name? Should I just give it a "Christian" (air quotes) name, like Harold, or Mary-Lou?

Halp?

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